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This month's
Festival pick...
Heart of the Forest Renaissance Faire By Laura Brueckner “Fine leather masks!” a gangly youth calls out from his post in front of the mask maker’s shop, his voice carrying far across the road in the summer air. His master, seated inside at his bench, looks up for a moment, smiles approvingly, then turns his attention back to his work: a custom piece that has been commissioned by one of his favorite patrons, who left him a friend’s sketch of a swan to help his design. Two young girls seated opposite the young
hawker, in their family’s inn yard, trade smiling glances at each other
as they twirl their drop-spindles with deft fingers, making foot after
foot of fine yarn by hand. Is this a scene from the English countryside?
A secluded village, forgotten by time? Almost – welcome to the Heart of
the Forest Renaissance Faire in Marin! What started out as a combination school project, fundraiser for public radio and small crafts market all thrown together, has blossomed into an art and entertainment form all its own, with replicas in every state of the country, every weekend of the year. Now, Kevin and Leslie Patterson, son and
daughter-in-law of the original Founders of the Faire,
continue the family tradition less than five miles from the site of the
first Renaissance Faire to be held in Northern California. The site is graced by more than ten
enormous oak trees, which provide not only beauty but
welcome shade to the visitors, called “patrons” by the Faire employees.
This term, more than any other, expresses the sense of the relationship
between Faire-goers and the artists who make up this festival. In addition to the fun to be had watching
the many stage shows and interacting with the characters that rove the
streets, visitors who are interested in fine handicrafts and craft
demonstrations will find much to delight them. Further on the blacksmiths and armorers begin to appear, with their shining swords and clever hand-forged silverware sets. The Faire's "Village Blacksmith" actually has his smithy open to public view, and passers-by can linger and watch as he turns raw pieces of metal into shining, finished designs. On “Jeweler’s Row,” over a dozen fine jewelers take advantage of the huge oak tree shading their booths, and chat together as visitors admire their unusual designs and daring use of a variety of materials. One of the most popular jewelers, Chris Miller, carves tiny suns, moons, stars, goblets, oak trees, and other items out of fossil bone or horn, and strung onto ivory or black cord or made into earrings or bracelets. Some are strung by his booth manager, Heidi Barthelemy, onto necklaces of many-hued semiprecious stone beads. Another jeweler, Reva Myers, works mainly
in amber and fossil bone, in a rarely-seen rainbow of colors, including
rare blue amber. One piece at a time, she and her apprentices create
completely unique sculptures of mermaids, centaurs, and Goddess figures,
and gorgeous jewelry with traditional Celtic spirals, interwoven
knotwork, and other intricate designs. The other lanes are similarly
filled with treasures, and the map provided by the festival details the
locations and wares of each craftsperson to be found on the Faire’s
grounds. And the artisans who put the “market” in
this “Market Faire?” Like Morgyn Owens-Celli, a wheat weaver whose work
has been placed in the Smithsonian Museum, Renaissance Faire craftsmen
have been recognized and given arts grants to pursue their unique
passions, and many others are able to work as artists as their main
source of income. For this, and for many other reasons, the Heart of the
Forest Renaissance Faire is a festival like no other, head and shoulders
above other crafts fairs in incredible quality and enthusiastic
creativity. Laura Brueckner is a passionate traveler who has lived in Los Angeles and Shanghai. She currently lives in San Francisco, where she writes, directs theater and performs. |
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