|
Home Themes Regions Tourist Boards Services Search Trips |
![]() |
Current
Issue |
| CulturalTravels.net - Home |
Volume 5, April 2003 |
ISSN 1538-893X |
|
|
Cabin
Charters in French Polynesia |
|
|
John
and I had crossed the 3,875-mile distance from Los Angeles to FAAA airport on
Tahiti to board a cabin charter boat called Nemo Polynesia. Don’t let anyone
tell you that getting to the French Polynesian Islands is easy. No matter where
you start, it is a very long way. We would live aboard the 83-foot catamaran in
our private cabin as we sailed between Tahiti, Huahini, Tahaa, Raiatea and Bora
Bora. Cabin
charter is the middle ground between taking a cruise and chartering a yacht.
Like a cruise, there is a planned itinerary, meals are all served at one time
and the other guests are unfamiliar. Unlike a cruise, there were only 12 of us
and we had some flexibility in our schedule because of that. Like a yacht
charter, the boat was comfortable, the food was exotic, plentiful and
beautifully presented and the crew was charming and attentive. But cabin charter
costs a fraction of the cost of a private yacht. A half-hour flight from
Tahiti brought us to the town of Fare on Huahine Iti. The air was filled with
the quiet bustle of barefoot activity and the ever-present rumble of the barrier
reef. Children and chickens wandered the street among the restaurants and shops.
The locals are physically beautiful people, so innocent that they meet your eyes
like old friends. There are flowers everywhere on these islands and people pluck
a blossom from a bush to stick behind their ear as part of strolling down the
street. Children's brown little bodies were flipping off the dock through the
air into the iridescent water, performing tricks and grinning in delight as they
burst to the surface.
We took a land tour
with Afo Safari in the afternoon. Afo is a native who gives a tour
circumnavigating the twin islands of Huahine Nui (big) and Huahine Iti (small).
We saw freshwater blue-eyed eels that have been hand fed by the locals in the
town of Faie and have been tame for decades. At a small farm we all saw the
processes involved in growing the fresh vanilla used in most local recipes. The
farmers pollinate the blossoms by hand since there are no native insects for
this job. We were taken to the
Maeva Bridge, the last remaining site of the local tradition of using fish
traps. You build stone walls in the tidal pools, shaped as a “V,” which
follows the outgoing flow. These stone walls are just higher than the lowest
tide. When the tide comes in, the fish do too. When the tide goes out, the fish
are trapped. The traps were just one more indication of people living in elegant
simplicity and a lifestyle which reveres the harmony of natural forces. Our first dinner aboard
was a delicious raw fish salad full of chopped raw vegetables and a salty sweet
sauce, followed by Polynesian chicken marinated in coconut milk. For dessert
there was fruit compote with crème fraiche, and lots of wine. Fabianne is a
creative French cook who uses fresh native produce to create beautiful and tasty
feasts day after day from her tiny galley. At breakfast she offers eggs cooked
to order and various cereals served along with fresh pastries, yogurts and
native fruits. Lunches were made up of crunchy locally grown salad of fruit and
vegetables in interesting combinations, followed by chicken pies, or marinated
cold fish or wonderful soups. Dinner always started with salads, followed by
special native dishes, several bottles of wine, and Fabianne's unique and
delicious desserts. Our first night sky was
filled with luminous reds and vibrating purples. The islands make shadows into
the bioluminescent water, as if they are floating. John and I slept on the
trampoline one night, or I should say we tried to. In fact, we spent the whole
night there, but the display of stars was so intense and dramatic that our eyes
refused to close. The new moon in the Southern Hemisphere hangs in the air like
a teacup without a handle on a tapestry of spilled sugar crystals. In the
morning the water was flat calm and reflected the pink morning light so evenly
that you could not tell where the sea stopped and the sky began. Clouds hung in
the pink light, roosters crowed, and there was a sense of being suspended and
timeless between sky and ocean. The smell of fresh coffee drifted over the deck
as people began to emerge from their cabins. Michel prepared for our first day's
sail. After breakfast we set sail for a two-hour run between Huahine and Tahaa.
We were able to go
ashore on Tahaa for a little shopping in the afternoon. John and I explored the
small shops and sandy streets then settled in for a cold local beer at an
outdoor café. There was a feeling of being at the end of the world, pretty much
true. Children chatted happily to us in very pristine French as we took in the
pace and style of the village. Back aboard Nemo we
headed out around the lagoon to the south to spend the night in the harbor of
Point Tuamaru. Our first dinner ashore was at the Marini Iti Restaurant. We were
treated to a traditional festive dinner, complete with native musicians and
dancers. We wondered about an odd small wire basket with a long handle at each
place setting. The answer was that Poisson Crue is a traditional dinner served
rather like fondue. Each table had a large platter of fresh fish cut into chunks
and slivers. Vegetables were to be mixed with the fish pieces and quickly seared
in the wire basket and eaten hot. The reward for not losing things in the cooker
is a constantly changing mix sprinkled with coconut shavings and delicious fruit
sauces. The dancers were impossibly graceful while music was naturally joyous.
You would really have to work hard to have a rotten day in an environment such
as this. Being the earliest
riser among the group, I spent some time writing, and chatting in my rusty
French with our captain and his wife. I learned that we were headed to a black
pearl farm that day, We would travel inside the lagoon to Motu Tau Tau. They
told me a bit about the black pearl farms in the region, describing the strings
of oysters hanging in the water, and how the farmers check on each oyster every
day. I could envision the large black irregular shapes clinging to the silver
strands hanging down for 30 feet, quietly making dark pearls, and the strong
brown swimmers diving in the clear sunlit water to tend the current crop. It
seemed like a dream job! We set out to the west
and then north along the lagoon. Cabin charter offers flexibility of itinerary
not possible on a cruise ship. Michele took a detour up a large inlet called
Baie Hurepiti. He told us that it was a place where we could see the homes of
fishermen on the island. The terrain is so steep that it appears like a fjord
with palm trees. The houses were all on the beach with a variety of watercraft
tied up in front. Dense jungle rose steeply up behind them and I wondered if the
only avenue of travel was boat access. We saw typical working boats, dozens of
outrigger canoes and a few large sailboats along the way. There were swings
hanging from the branches of palms, and sandcastles along the shore, bright
pareos* drying on lines in the breeze and flowering gardens everywhere. All the
signs of people who take time to enjoy their lives. Then back out into the
lagoon for the trip to the Motu Pearl Farm. The pearl farm was a casual riot of
flowers and shells, with gardens everywhere and a lovely beach. Our host gave us
a fabulous explanation of the process of growing, tending and harvesting pearls.
This farm had been in his family for eight generations. He told us that the
variety of color in the pearls comes from the section of “lip” used to
irritate the oyster into making a pearl. The term “black” actually means a
spread of about a dozen iridescent sheens all the way from gold, to green and
rose to purple. The next day was filled
with exploring the reefs around Raiatea. Many guests wanted to walk on one of
the barrier islands so Michel took them across in the raft. John and I preferred
to snorkel in the beckoning coral heads that we could see below the surface of
water so clear as to make determining depth impossible. There was no loss of
light as we dove 35-40 feet down to come up with a beautiful conch shell. The
natives called it "sept doigts" or "seven fingers," named
for the slender points that extend from the shell. Live ones are protected, but
since there was nobody home in this one, we were able to keep it. The following day, we
crossed through another passage, this time on the western side of Tahaa onto the
deep blue, headed to Bora Bora, a four-hour crossing. Approaching the island, we
were silenced by the towering green cliffs as they rose into the luscious blue
of the sky. There is only one passage into Bora Bora. It is on the western side.
The barrier reef had huge rolling aqua waves, which traveled as a luminous curl
for miles before crashing down. Our native stewardess, Jesi, did a traditional
dance as we crossed through the passage. Her reverence for this island was
profound and unmistakable. At Viatapea as we
disembarked for a short shopping trip. John and I wandered the streets and
bought presents for our friends at home. As had become our custom, we had a beer
at an open café, and watched people go about their lives. Children walked or
rode bikes, chatting happily among themselves or with us as I tested the
boundaries of my improving French. They seemed unconcerned about our language
skills and were much more interested in these two blond and blue-eyed visitors
appreciating their black eyes and tattooed bodies. After reboarding Nemo,
we set sail to choose a lovely spot to put out a hook for the evening. That
would be a hard target to miss here. All evening, my eyes kept drifting up to
those two huge slabs of rock jutting up into the sky that create the distinctive
silhouette of Bora Bora. As the light faded and the boat rocked gently I asked
Jesi about the meaning of her dance. She told me that sea travel was full of
legends about these island passages. The story goes that Bora Bora was such a
sacred place that one should never enter the passage without a gift,
traditionally a dance. After breakfast, we
headed to the Lagoonarium on Motu Tofari. It is a charming small barrier island,
which appears to contain only a few small houses for the people who tend the
pens used to contain turtles, sharks and tropical fish in shallow water. We were
able to swim in the pens for a close up look. The pens were large enough to
really travel with the animals, and in a funny way they seemed interested in us
too. When we emerged from the fish pens, the owners brought us a huge tray of
fresh fruit cut up into finger-sized chunks as we rested under the palms. When the dinghy came,
Michel took us to a place locally known as the coral garden. It is unmarked,
simply a turn in the lagoon. We plunged backwards over the side of the dinghy,
and by the time we surfaced we were 100 feet from it riding the five or six-knot
current. We held hands, and raced over the bottom two to four feet below us. The
yellow and orange coral heads, black and brown snails, brilliant jewel-like
fish, and neon colored scallops flashed by for about a mile and a half.
Traveling at such speed it was like watching an Imax movie right in front of
your nose! This was one of the most sensuous and exhilarating experiences I have
ever had. Michel picked us up with the dinghy in the wash where the current
slowed, and took us back to the headwaters so we could do it again. It was a
stunning show, a truly exotic insight into the life that exists within and under
the coral beds. On one of these races
over the coral John began to do lazy somersaults in the fast current. Twisting
and rolling in the weightless turquoise water, flying over the brilliant display
of color and sparkle from the coral, he looked for all the world like one of the
ebullient native children. I think each of us recognized that the child within
sometimes demands expression in this place and we were watching his now. If I
had to summarize what French Polynesia had to offer, it would be the reverence
for simple pleasures made of water, sunlight and flowers. French Polynesia wraps
its friendliness and beauty around you until you view its charms with the
uncomplicated eyes of the child within.
* A colorful length of
cloth wrapped around the body and worn as a dress or skirt. Brooke Cunningham is a writer/photographer specializing in classic boats and sailing adventures, often traveling with her daughter Lauren. Her work has appeared in many of the yacht, adventure travel and luxury travel magazines. |
|
To receive a FREE email version of our monthly newsletter just fill in the Key Interest form |